Music to the Rescue! Assignment 3 of Creativity: Music to My Ears

 

I’ve been participating in an online Creativity course hosted by Tina Seelig at Stanford University. Seelig is the author of inGenius, a book I am also reading. Rather than do the assignments online, i’ve decided to do them with my students. However, this week we are on Easter break, so I drafted my four children ages 7- 13 to help brain storm.

Here is the assignment:

Clearly define – a problem that you want to solve. It can be a personal problem or a social problem. Be careful to frame the problem thoughtfully so that it isn’t too narrow or too broad. Make sure to read the paragraph above about picking a brainstorming topic, and watch the Reframing video for guidance on this.

Once your team has framed a problem, together you should brainstorm to generate at least 100 ideas for ways that MUSIC can help solve that problem.

We decided to think about how music can be used at school to develop literacy – especially in middle school students and this is what we came up with…

  1. Listen to Pandora study music when reading.
  2. Compare reading music to reading text.
  3. Have students make book trailers with music in the background.
  4. Study famous song lyrics as poetry.
  5. Get an MP3 song for every book read in a school year.
  6. Read about music history.
  7. Read and watch a musical.
  8. Create a classroom musical based on a book.
  9. Teach students to “read” music.
  10. Create music typewriter game – Maybe a iPad App.
  11. Play book based move themes during reading time (Harry Potter is a favorite).
  12. Create multi-sensory phonics games for struggling readers.
  13. Read about events sited within songs (We Didn’t Start the Fire would be an example).
  14. Teach students how to write their own songs.
  15. Make games where note letters spell words.
  16. Make a song to learn the steps of the writing process.
  17. Use songs to learn vocabulary words.
  18. Make a jingle for a book read.
  19. Create word puzzle using notes to write a paragraph.
  20. Attach a CVC code to classroom books where students find similar theme in books and songs.
  21. Writing prompt – Choose a song and write about what it means.
  22. Choose a book and brainstorm songs that could make it a musical (Mary Poppins is an example)
  23. Write a sentence using only the letters A-G – then play the sentence on the piano.
  24. Read about famous composers.
  25. Learn to play an instrument.
  26. Use rhythm to teach fluency.
  27. Use percussion instruments when reading poetry.
  28. Use percussion instrument to learn phonics – sounding out word parts.
  29. Play author musical chairs.
  30. Keep a journal for music practice.
  31. Learn about music during different eras.
  32. Study musical styles and compare them to parts of the book.
  33. Compare music eras to art and literature written at the same time.
  34. Write a jingle to learn the parts of speech.
  35. Match note names to notes on the staff.
  36. Let students sign for oral assessments.
  37. Make a scavenger hunt based on solving musical riddles.
  38. Make up rhyming songs
  39. Make up alliteration songs
  40. Find vocabulary words in songs.
  41. Songs often have a pattern – like A B A C – Write a story using a music pattern.
  42. Put memoires to music.
  43. Write the refrain to your research paper – Put your thesis statement to music.
  44. Give speeches about composers.
  45. Find songs about the topic you are learning about in a class.
  46. Write lyrics / poetry using new vocabulary.
  47. Play classical music during free writes.
  48. Sing along with recordings of literacy-based songs
  49. Write a poem or reflection about how a piece of music makes you feel.
  50. Study with music to help with recall.
  51. Let students play games on websites like San Francisco Symphony Kids, Dallas Symphony Orchestra Kids, or New York Philharmonic Kids
  52. Compare and contract the emotions of a character to popular songs.
  53. Study the brain science behind how music literacy helps reading.
  54. Study how music affects emotions (scary music in a movie for example).
  55. Use music vocabulary and dynamics to improve reading fluency.
  56. Let students listen to music without words when studying or working independently.
  57. Mix music literacy stations in with classroom language arts stations.
  58. Learn about storytellers and how they use music.
  59. Invite a composer as a guest speaker to compare music and literature revision strategies.
  60. Mark a speech with dynamics symbols for how the speaker is to present.
  61. Read and listen to storybooks based on song lyrics (Puff the Magic Dragon).
  62. Research the history behind holiday songs.
  63. Perform music in public as a way to feel confident giving presentations.
  64. Learn about different cultures though global music styles.
  65. Draw to music.
  66. Teach preschool students nursery rhythms
  67. Reflect on visualization from music compared to imagining a character or setting.
  68. Compare book genres to music genres.
  69. Study religion and history through music.
  70. Discuss the influence that a song can have on a culture.
  71. Conduct and report on a survey that studies music preferences.
  72. Analyze the author / composer purpose (To persuade, inform, entertain, explain).
  73. Analyze how a song is organized – Comparison / contrast, chronological, argument / support.
  74. Analyze word choice in songs.
  75. Compare dynamics to punctuation and conventions.
  76. Talk to composers and songwriter about where they get their ideas.
  77. Work on music pitch to build phonological awareness (in first and second languages).
  78. Study historic events through song re-makes (The Too Late to Apologize uTube video with the Founding Fathers)
  79. Compare the 6 traits of writing to the traits of music.
  80. Compare effective repetition in music and literature.
  81. Analyze how variety keeps interest.
  82. Compare and contract two musician’s voices
  83. How to musician improvise? What does this teach us about writing or speaking?
  84. Analyze chord tones compared to word choice.
  85. Why did the composer choose a certain note / chord? (Saving Mr. Banks movie – Spoon Full of Sugar – the unexpected – note goes up).
  86. Compare sentence fluency to melody – how do rhythm and flow add to a text?
  87. Consider transitions between themes and sections of music – compare them to transition words in writing.
  88. Create a KWL chart for a popular song
  89. Give student examples of fluent reading and with expression.
  90. Listen to Disney songs and look for clues about character traits.
  91. Practice unison reading to improve listening and pacing.
  92. Create classroom chants for hard to remember concepts.
  93. Play music between classes that is fun and inspirational.
  94. Compare sight-reading strategies to reading aloud.
  95. Compare song titles and book titles to anticipate what it’s about.
  96. Create a web or mind-map of a song.
  97. Write new words to a well known song (Think Weird Al)
  98. Compare perseverance in learning to play an instrument to learning to read – both take practice!
  99. Teach inference using a new piece of music.
  100. Practice active listening to build listening skills and an ear for pitch and fluency.
  101. Encourage passion for learning using music to make literacy fun!

Every Child Can

20120622-070555.jpg

When my oldest was 4, he came home from preschool asking to play the violin. My husband and I smiled and suggested it was something we would do when he was older. He insisted we did not have to wait. The violin can be played by kids he explained. His teachers taught him about Mozart’s, “powerful music.” After weeks of asking, I gave in and started making phone calls.

Fast forward seven years. I have three violinist and a piano player all using the Suzuki method. If you are unfamilar, it’s a method of teaching that uses the triangle; child, teacher, parent to ensure success. As a suzuki parent I carry out the lesson plans set up by the instructor each week.

The entire Suzuki philosophy—and the reason children can start early—holds that all talents are taught, modeled, and practiced from birth. The 7 year old who has “musical talent” really has only had 7 years of music education. Every child begins learning at birth and never stops.

Dr. Suzuki’s idea was that any child could learn to play the violin well given enouh quality time and instruction. My suggestion is that when kids have the right supports in place, they can learn a lot more than the violin.

So what’s happening when students don’t learn?

How often do I size up a student who does not have the right supports in place and fail to recognize the cause?

This debate plays out in my mind frequently. When I work with my son on his reading, when I hear my girlfirend say, “oh my daughter can’t sing- it’s not her talent,” and when hear teachers talk about bright students who fail classes I try to remember Suzuki.

Consider this… If kids are only able to master what they have a natural knack for, than what does it matter what I do as a teacher?

Dr. Suzuki’s philosophy responds that even if the student has to work at something, even if he or she needs 1:1 support, even if it takes a lot of effort from everyone around… Every child can.

If they can, isn’t worth the effort to make sure they do?